Nominated for the 1996 National Book Critics Circle Award
The Los Angeles Times: "Shapiro, not unlike Auden, closes his wordplay with a certain shy irony... We come away from Shapiro's book with an intimate appreciation of the little subversions that poetry can work in one's life."
Chicago Tribune Books: "[Shapiro] seeks what lies at the deepest level of the human heart to mitigate his -- and our -- separateness from others."
Publisher's Weekly (starred review): "He is an acute observer of moments, people, art and language. And he packs even seemingly simple stories with many layers of meaning... He shows us the power and the importance of transformative art in life." |