Kirkus: "Bottom-dog lyricism, good dialogue, grim as a gallows."
Jay McInerney: "A kick-ass debut...brimming with attitude, energy and talent."
Lorenzo Carcaterra: "A body slam of a first novel."
Andrew Vachss: "Ian Spiegelman's powerhouse debut illuminates a subculture so dedicated to anesthetics that it seeks pain to see if they really work. Ugly truth, beautifully written."
The Washington Post: "gritty realism [and] understated poignancy."
The San Francisco Chronicle: “Filled with frenetic characters, disturbing portrayals of the loneliness at the heart of modern suburbia, and writing as taught as it is evocative.” |